He is with her because she is the perfect bonus to the car. The ultimate tuning ornament.
She is with him because the car is the perfect complement to her sculpted body.
There’s no love in their agreement. No need of mutual affection or bounden duty.
He works in his car as an extension of himself, because he can’t repair or embellish a battered childhood.
She works in her body through expensive surgery and personal trainers to heal the lousy self concept of a sexually abused child.
None of them can articulate words to tell the story and break through the pains of memory, so they reinvent identity detail by detail, again and again, in cool and narcissistic company.
Therapy is too long and burdensome.

There’s a feeling of hallucination when I take photographs in the context where photography is exposed and ‘officially’ recognized as a work of art.
The ever evolving, handy, portable and easily available media devices have made anyone with a camera an amateur photographer and anyone with a blog a writer or a journalist. Some of them are even entitled to be pros, and the air-built line between making photographs and just shooting randomly, compulsively photoshopping and immediately exposing them in the Internet, has been totally blown up. Forever, I’m afraid. We are saturated, engorged, overstuffed with casual, dispirited stuff. The Information Age Reality has become a percolating, pervasive monster that ejects, bursts forth, eructates, expels and pours out all kinds of aimless and redundant material.
That makes it much harder to strengthen and cherish a strong vocation, a strong artistic identity, and leap towards the bliss of it, just as Joseph Cambell wrote, in order to find true satisfaction and completion doing what we, the artistically driven, love. In a world where the ability to distinguish real art from casual crap is lost, all photographers and
most writers are struggling, forced to work out of the realms of their passion, in demoralizing and creatively exhausting jobs to pay the rent and the bills.
That’s why, when I go to gallery exhibitions, and I take photos there, a strong, mixed and overwhelming feeling of anger, excitement, jealousy, impatience and awe, invades me, like sensing the future for a second, like feeling the nervous jitters of my first real solo vernissage, like hearing the voices of loved ones and friends, their congratulations, their warmth and happy presence, validating not only the part of beauty I owe to the world, the work well done, the burning drive to serve as a channel or an intermediary for some kind of much needed spiritual message to see deeper and beyond what appears to be, so they can feel free and whole just for that moment.
Then I awake to my senses and follow my arm and my hand where intuition is guiding them and something funny happens: I’m relieved from the burden, from the heavy luggage of those old unmet needs of unconditional love, approval, praise and recognition and I’m only appreciative of what surrounds me, and I know it’s all about not giving up the faith of life to spare the walls for my work to tell a story. If not now, tomorrow, but it has already happened.
I vowed to fulfill my loved one’s needs without betraying myself, because photography is the main vehicle of my love for them all. The only thing I can do for a living that actually makes me feel loving and alive. And galleries feel just like home.

She had a deep longing for someone who didn’t want to change her habits, thoughts or looks. She was done with an authoritarian father, bossy lovers, macho managers and contemptuous therapists.
After a decade of serial dating, she picked up the phone and officially became a regular escort client.
At some point as grown up, a woman may find great relief in the integrity of her bliss, and stop asking for permission or absolution for what she really wants.
Most of her girlfriends are jealous and they comment upon her behavior when she’s not present.
She is not that old to pay for company, and she is sexy, more than the average. Why should she get a gigolo, then?
There’s a certain body language indicative of discomfort or boredom in a man.
I’m a photographer. My job is to read other’s minds through their gestures.
Believe me. The guy was at home with her.
She sucked on a chupachups while paying absorbed attention to the races.
He was leaning his chest on her back, softly holding her hips.
I imagined that perfect red manicure running on his chiseled rear delts or pecs.
The portrait of perfect love.

Despite my attempts to stay back, playing invisibility, some people still break the delicate balance between the image and the event, striking the pose, bringing to play all their complexes and identity struggles. While editing, I often find that they were showing off my own disowned shadows, my conflicts as an artist. But there’s a gift in random accident: the realization that no photography has a chance of getting close to perfection unless letting that script be gone, unless letting the fakery, the posing, the seduction of the model render it’s personal language. Like in a well rehearsed dance.