Catenary

Catenary

To Delia

I arrived before dawn, dead-tired from the 260 mile train trip and there she was: stunning beauty wrapped in messy sheets, offering arms and begging for cuddle.
Imagine Leonard Cohen in the darkest angle of the room, singing Suzanne, imagine me fed with tea and oranges, imagine the girl that said “Come in, I’ll give you shelter from the storm” in Bob Dylan’s song. Imagine both girls and better them, make their skin whiter and softer and give them a miraculous talent for quietude and imagine me lost in her body, feeling the whole scene somewhat unreal.
Take two extremes of this love in solemn silence, supported at its ends and acted on only by its own weight. Take us to the deepest realms of your mind and give us the joys of Sunday morning, the hush of night, the auspicious ways of the shipwrecked, the statuelike disposition of eternity and forget everything else.
We both had to get up and commute to work.
Mondays shouldn’t exist.

Stripping naked at the gates of Assisi

Stripping naked at the gates of Assisi

Photography is my primary coping behavior.
I take photographs of what I’m scared to own, lose or let go of.
I take photographs of what I fear or secretly wish to become.
I take photographs of cyclical nightmares.
I wordlessly beg for a proof of my deserving.
I hide behind the focus like a shy actor on stage.
Photography has also become my universal prayer, the multiple portrait of my flaws, the endless list of my unmet needs.
Photography makes me invisible so I can finally become visible in a figurative sense.
I get a grip on light so I can explain shadows.
Photography is for me the weird experience of being born, falling in love, falling out of love and then dying in one hundredth of a second.